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OPTIMOD-FM 5300 is Orban's new, affordably-priced processor with many of the sound processing previously available only features that were to OPTIMOD-FM.

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Presentation on theme: "OPTIMOD-FM 5300 is Orban's new, affordably-priced processor with many of the sound processing previously available only features that were to OPTIMOD-FM."— Presentation transcript:

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2 OPTIMOD-FM 5300 is Orban's new, affordably-priced processor with many of the sound processing previously available only features that were to OPTIMOD-FM 8400 and 8300 owners. OPTIMOD-FM 5300 2

3 The 8400 has developed a reputation as the FM processor that provides the best consistency and cleanest speech. The 5300 reflects this sonic legacy. 3 OPTIMOD-FM 5300

4 User-Friendly Interface An LCD and full-time LED meters make setup, adjustment and programming of OPTIMOD-FM 5300 easy you can always see the metering while youre adjusting the processor. 4 OPTIMOD-FM 5300

5 Navigation is by dedicated buttons, soft buttons (whose function is context-sensitive), and a large rotary knob. The LEDs show all metering functions of the processing structure (Two-Band or Five-Band) in use. 5 OPTIMOD-FM 5300

6 Absolute Control of Peak Modulation Provides universal transmitter protection and audio processing for FM broadcast. Provides pre-emphasis limiting for the two standard pre-emphasis curves of 50 s and 75 s. 6 OPTIMOD-FM 5300

7 Achieves extremely tight peak control at all its outputs analog left/right, AES/EBU left/right, and composite baseband. By integrating the stereo encoder with the audio processing, the 5300 eliminates the overshoot problems that waste valuable modulation in traditional external encoders. 7 OPTIMOD-FM 5300

8 Flexible Configuration Includes analog and AES/EBU digital inputs and outputs. Both digital input and digital output are equipped with sample-rate converters and can operate at 32, 44.1, 48, 88.2 and 96 kHz sample-rates. The pre-emphasis status and output levels are separately adjustable for the analog and digital outputs. 8 OPTIMOD-FM 5300

9 Flexible Configuration Internal, DSP-based stereo encoder (with a patented half-cosine interpolation composite limiter operating at 512 kHz sample-rate) to generate the pilot tone stereo baseband signal and control its peak level. 9 OPTIMOD-FM 5300

10 Two independent composite baseband outputs with digitally programmable output levels. Two sub-carrier inputs that are mixed with the output of OPTIMOD-FMs stereo encoder before application to the composite output connectors. SCA1 has internal sensitivity trim; sensitivity trim available for SCA2 by special order. 10 OPTIMOD-FM 5300

11 Precisely controls the audio bandwidth to 15 kHz. This prevents overshoots in uncompressed digital links operating at a 32 kHz sample-rate and prevents interference to the pilot tone and RDS (or RBDS) sub-carrier. Defeatable multiplex power limiter that controls the multiplex power to ITU-R BS412 standards. 11 OPTIMOD-FM 5300

12 Adaptability through Multiple Audio Processing Structures 5300 features three processing structures: Optimum Five-Band (or Multiband; 15 ms delay) for a consistent, processed sound, free from undesirable side effects, 12 OPTIMOD-FM 5300

13 Low-Latency Five-Band (5 ms delay) for environments where talent monitors live off-air and they object to the delay of Optimum Five-Band, and Two-Band for a transparent sound that preserves the frequency balance of the original program material. 13 OPTIMOD-FM 5300

14 Controllable 5300 can be remote-controlled by 5-12 V pulses applied to eight programmable, optically isolated General-Purpose Interface (GPI) ports. 5300 PC Remote software is a scalable graphical application that runs under Windows 2000 and XP. It communicates with a given 8300 via TCP/IP over modem, direct serial, and Ethernet connections. 5300's software can be upgraded remotely through its serial port or Ethernet port, or locally (by connecting a Windows ® computer to its serial port through the supplied null modem cable) and running Orban-supplied downloadable upgrade software. 14 OPTIMOD-FM 5300

15 15 OPTIMOD-FM 5300, 8300 and 8400 comparison Feature530083008500 Rack space required1u2u3u ConstructionLarge boards mounted on standoffs inside chassis Board replacementUnplug wiring harnesses; loosen external connectors; remove boards from standoffs Display2 lines x 40 char monochrome LCD, LED meters Quarter-VGA active matrix color LCD Meters visible at all times YYY User InterfaceRotary encoder, soft keys, dedicated keys Rotary encoder, dedicated keys, joystick Loudness capability for given artifact level (re 8200) +1.5 dB+2.5 dB+3.0 dB Speech/music detector automatically optimizes processing for input material YYY Levels of preset customization Basic and intermediate from front panel, advanced available only from PC Remote app Basic, intermediate, advanced, all available from front panel Number of user presetsEssentially unlimited

16 16 Feature530083008500 User presets backed up in non-volatile storage YYY 2-band AGCYYY Window gating on AGCYYY Stereo Enhancer222-style only 222 and Max style Bass Shelving EQ6, 12, 18 dB/octave Parametric EQ3-band Program-adaptive HF Enhancer YYY Dual-Mono AGCYYY Sum-and-difference processing available on AGC YYY Dual Mono Multiband Compressor with variable coupling NNY Number of bands in multiband compressor 2, 5 Compressor Look- ahead processing NYY Program-adaptive clipping distortion controller YYY Bass clipper modeshardSoft, medium, hard OPTIMOD-FM 5300, 8300 and 8400 comparison

17 17 Feature530083008500 Bass clipper shape control (Hard mode) YYY Anti-aliased clippers and overshoot compensator YYY ITU412 controllerYYY Stereo coderDSP Patented non-clipping band-limited composite limiter YYY, dual-mode ultra-low overshoot Latency5, 15, 23 ms depending on preset 5, 15, 20, 23 ms depending on preset 3.7, 12, 17, 20 ms depending on preset Audio I/OAnalog, AES/EBU Analog, AES/EBU x 2 Composite & SCA2 comp. out 2 SCA inputs 2 comp. out 2 SCA inputs 2 comp. out 2 SCA inputs AES11 sync inputNNY Sample-rate32 kHz to 512 kHz 64 kHz to 512 kHz Front panel security lockout YYY Remote controlGPI, serial, Ethernet PC Remote softwareY, full-screen Remote protocolTCP/IP Software upgradeInternet download OPTIMOD-FM 5300, 8300 and 8400 comparison

18 18 Feature530083008500 Automation by time of day YYY HD Radio and netcast support NDigital output switchable between FM and HD- processed audio Built-in. Two digital outputs built-in, so one can carry HD and the other FM audio. Defeatable 8 second delay for analog channel in HD broadcast NNY HD audio bandwidthNA15 kHz15 kHz to 20 kHz, switchable in 1 kHz steps Separate band mixers for analog FM and digital radio channels NANY DSP power8 x 100 MHz Motorola DSP56362 12 x 150 MHz Motorola DSP56367 Active serial ports112 (+ 1 spare) Easy interface to automation systems via ASCII API through second serial port NNY Time from power-up until audio is present at output 7 seconds 9 seconds OPTIMOD-FM 5300, 8300 and 8400 comparison

19 Signal Flow Analog Input Digital Input Input Conditioning Stereo Enhance 2-band Windowed AGC Equalization 5/2 Multiband Compression 5/2 Multiband Compression "Intelligent" Clipping Composite Processor Overshoot Compensation All-Digital Stereo Encoder ITU 412-7 MPX Power Control ITU 412-7 MPX Power Control 19 OPTIMOD-FM 5300

20 20 Block Diagram OPTIMOD-FM 5300

21 21 Block Diagram OPTIMOD-FM 5300

22 22 Block Diagram OPTIMOD-FM 5300

23 23 OPTIMOD-FM 5300 Sample-rate Diagram SIMPLIFIED MULTI-RATE SAMPLE-RATE DIAGRAM SAMPLE RATE CONVERTER SAMPLE RATE CONVERTER A/D CONVERTER A/D CONVERTER DOWN X2 DOWN X2 MULTI-BAND COMPRESSOR LIMITER MULTI-BAND COMPRESSOR LIMITER OVERSHOOT COMPENSATOR OVERSHOOT COMPENSATOR UP X8 UP X8 STEREO ENCODER STEREO ENCODER COMPOSITE LIMITER COMPOSITE LIMITER SAMPLE RATE CONVERTER SAMPLE RATE CONVERTER DISTORTION CANCELLING CLIPPER DISTORTION CANCELLING CLIPPER DIGITAL OUT COMP OUT ANALOG OUT UP X2 UP X2 D/A CONVERTER D/A CONVERTER DIGITAL IN ANALOG IN 32-96 kHz 64 kHz 6432 kHz3264 kHz 32 kHz 64/256 kHz 64512 kHz512 kHz 32/44/48/88/96 kHz 32 kHz DOWN X2 DOWN X2 6432 kHz

24 Exceptional versatility allows you to adjust the processors audio texture to brand your sound, knowing that the resulting signature sound will remain consistent, cut-to-cut and source-to-source. 24 OPTIMOD-FM 5300

25 Branding builds businesses, and no other processors have the consistency to brand your sound like an Orban OPTIMOD. 25 OPTIMOD-FM 5300

26 Thank you for your attention! Thank you for your attention! auto repeat


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