Presentation on theme: "Cubism 1908 - 1920. Juan Gris 1887 - 1927 Juan Gris Artistic Credo Bases his Cubism on the set square and the t-square –Structures his paintings on the."— Presentation transcript:
Juan Gris Artistic Credo Bases his Cubism on the set square and the t-square –Structures his paintings on the basis of architecture and mathematics Creates through what he termed the art of synthesis or deductive art –Starts from a geometrical shape to create an object –First comes the imaginary concept of the painting (archetypal structure) –Is followed by its confrontation with reality
Juan Gris. Portrait of Pablo Picasso (1912). Oil on canvas.
Juan Gris. Still Life with Oil Lamps (1911-12). Oil on canvas.
Juan Gris. Man in the Café (1912). Oil on canvas.
Fernand Légers Artistic Credo First employed tubular, fractured forms and bright colors highlighted by juxtaposition with cool whites Then moved on to urban and machine imagery –Favored sharply delineated, flat shapes, unmodeled color areas, and combinations of human and machine forms
Fernand Léger. Nudes in the Forest (1909-11). Oil on canvas.
Fernand Léger. Woman in Blue (1912). Oil on canvas.
Fernand Léger. Woman in Red and Green (1914). Oil on canvas.
Fernand Léger. Soldier with a Pipe (1916). Oil on canvas.
Fernand Leger. The Cardplayers (1917). Oil on canvas.
Robert Delaunays Artistic Credo Focuses on the city of Paris and its vertical structures, especially the Eiffel Tower series of paintings –Uses multiple points of view as if one moment of time is captured at once: simultaneity of time and space Later explores multiple views, transparency, and simultaneity in his Windows series –Exterior and interior worlds merge on a flat surface of flickering color patches
Robert Delaunay. St. Séverin (1909). Oil on canvas.
Robert Delaunay. City, First Study (1909). Oil on canvas.