Download presentation

Published byEvan Cuddy Modified over 3 years ago

1
**Multiplexing than one message to be transferred via the same**

Multiplexing is the name given to techniques, which allow more than one message to be transferred via the same communication channel. The channel in this context could be a transmission line, e.g. a twisted pair or co-axial cable, a radio system or a fibre optic system etc. A channel will offer a specified bandwidth, which is available for a time t, where t may . Thus, with reference to the channel there are 2 ‘degrees of freedom’, i.e. bandwidth or frequency and time. 1

2
**Multiplexing Now consider a signal**

The signal is characterised by amplitude, frequency, phase and time. 2

3
Multiplexing Various multiplexing methods are possible in terms of the channel bandwidth and time, and the signal, in particular the frequency, phase or time. The two basic methods are: Frequency Division Multiplexing FDM FDM is derived from AM techniques in which the signals occupy the same physical ‘line’ but in different frequency bands. Each signal occupies its own specific band of frequencies all the time, i.e. the messages share the channel bandwidth. 2) Time Division Multiplexing TDM TDM is derived from sampling techniques in which messages occupy all the channel bandwidth but for short time intervals of time, i.e. the messages share the channel time. FDM – messages occupy narrow bandwidth – all the time. TDM – messages occupy wide bandwidth – for short intervals of time. 3

4
Multiplexing These two basic methods are illustrated below. 4

5
**Frequency Division Multiplexing FDM**

FDM is widely used in radio and television systems (e.g. broadcast radio and TV) and was widely used in multichannel telephony (now being superseded by digital techniques and TDM). The multichannel telephone system illustrates some important aspects and is considered below. For speech, a bandwidth of 3kHz is satisfactory. The physical line, e.g. a co-axial cable will have a bandwidth compared to speech as shown next 5

6
**Frequency Division Multiplexing FDM**

6

7
**Frequency Division Multiplexing FDM**

In order to use bandwidth more effectively, SSB is used i.e. We have also noted that the message signal m(t) is usually band limited, i.e. 7

8
**Frequency Division Multiplexing FDM**

The Band Limiting Filter (BLF) is usually a band pass filter with a pass band 300Hz to 3400Hz for speech. This is to allow guard bands between adjacent channels. 8

9
**Frequency Division Multiplexing FDM**

For telephony, the physical line is divided (notionally) into 4kHz bands or channels, i.e. the channel spacing is 4kHz. Thus we now have: Note, the BLF does not have an ideal cut-off – the guard bands allow for filter ‘roll off’ in order to reduce adjacent channel crosstalk. 9

10
**Frequency Division Multiplexing FDM**

Consider now a single channel SSB system. The spectra will be 10

11
**Frequency Division Multiplexing FDM**

Consider now a system with 3 channels 11

12
**Frequency Division Multiplexing FDM**

Each carrier frequency, fc1, fc2 and fc3 are separated by the channel spacing frequency, in this case 4 kHz, i.e. fc2 = fc1 + 4kHz, fc3 = fc2 + 4kHz. The spectrum of the FDM signal, M(t) will be: 12

13
**Frequency Division Multiplexing FDM**

Note that the baseband signals m1(t), m2(t), m3(t) have been multiplexed into adjacent channels, the channel spacing is 4kHz. Note also that the SSB filters are set to select the USB, tuned to f1, f2 and f3 respectively. A receiver FDM decoder is illustrated below: 13

14
**Frequency Division Multiplexing FDM**

The SSB filters are the same as in the encoder, i.e. each one centred on f1, f2 and f3 to select the appropriate sideband and reject the others. These are then followed by a synchronous demodulator, each fed with a synchronous LO, fc1, fc2 and fc3 respectively. For the 3 channel system shown there is 1 design for the BLF (used 3 times), 3 designs for the SSB filters (each used twice) and 1 design for the LPF (used 3 times). A co-axial cable could accommodate several thousand 4 kHz channels, for example 3600 channels is typical. The bandwidth used is thus 3600 x 4kHz = 14.4Mhz. Potentially therefore there are 3600 different SSB filter designs. Not only this, but the designs must range from kHz to MHz. 14

15
**Frequency Division Multiplexing FDM**

For ‘designs’ around say 60kHz, = 15 which is reasonable. However, for designs to have a centre frequency at around say 10Mhz, gives a Q = 2500 which is difficult to achieve. To overcome these problems, a hierarchical system for telephony used the FDM principle to form groups, supergroups, master groups and supermaster groups. 15

16
Basic 12 Channel Group The diagram below illustrates the FDM principle for 12 channels (similar to 3 channels) to a form a basic group. i.e. 12 telephone channels are multiplexed in the frequency band 12kHz 60 kHz in 4kHz channels basic group. 16

17
Basic 12 Channel Group A design for a basic 12 channel group is shown below: 17

18
Super Group These basic groups may now be multiplexed to form a super group. 18

19
Super Group 5 basic groups multiplexed to form a super group, i.e. 60 channels in one super group. Note – the channel spacing in the super group in the above is 48kHz, i.e. each carrier frequency is separated by 48kHz. There are 12 designs (low frequency) for one basic group and 5 designs for the super group. The Q for the super group SSB filters is - which is reasonable Hence, a total of 17 designs are required for 60 channels. In a similar way, super groups may be multiplexed to form a master group, and master groups to form super master groups… 19

20
**Time Division Multiplexing TDM**

TDM is widely used in digital communications, for example in the form of pulse code modulation in digital telephony (TDM/PCM). In TDM, each message signal occupies the channel (e.g. a transmission line) for a short period of time. The principle is illustrated below: Switches SW1 and SW2 rotate in synchronism, and in effect sample each message input in a sequence m1(t), m2(t), m3(t), m4(t), m5(t), m1(t), m2(t),… The sampled value (usually in digital form) is transmitted and recovered at the ‘far end’ to produce output m1(t)…m5(t). 20

21
**Time Division Multiplexing TDM**

For ease of illustration consider such a system with 3 messages, m1(t), m2(t) and m3(t), each a different DC level as shown below. 21

22
**Time Division Multiplexing TDM**

22

23
**Time Division Multiplexing TDM**

In this illustration the samples are shown as levels, i.e. V1, V2 or V3. Normally, these voltages would be converted to a binary code before transmission as discussed below. Note that the channel is divided into time slots and in this example, 3 messages are time-division multiplexed on to the channel. The sampling process requires that the message signals are a sampled at a rate fs 2B, where fs is the sample rate, samples per second, and B is the maximum frequency in the message signal, m(t) (i.e. Sampling Theorem applies). This sampling process effectively produces a pulse train, which requires a bandwidth much greater than B. Thus in TDM, the message signals occupy a wide bandwidth for short intervals of time. In the illustration above, the signals are shown as PAM (Pulse Amplitude Modulation) signals. In practice these are normally converted to digital signals before time division multiplexing. 23

24
**Time Division Multiplexing TDM**

A schematic diagram to illustrate the principle for 3 message signals is shown below. Again for simplicity, each message input is assumed to be a DC level. 24

25
**Time Division Multiplexing TDM**

25

26
**Time Division Multiplexing TDM**

26

27
**Time Division Multiplexing TDM**

Each sample value is converted to an n bit code by the ADC. Each n bit code ‘fits into’ the time slot for that particular message. In practice, the sample pulses for each message input could be the same. The multiplexing ADC could pick each input (i.e. a S/H signal) in turn for conversion. For an N channel system, i.e. N message signals, sampled at a rate fs samples per second, with each sample converted to an n bit binary code, and assuming no additional bits for synchronisation are required (in practice further bits are required) it is easy to see that the output bit rate for the digital data sequence d(t) is Output bit rate = Nnfs bits/second. 27

28
**Baseband digital Modulation**

School of Electrical, Electronics and Computer Engineering University of Newcastle-upon-Tyne Baseband digital Modulation Prof. Rolando Carrasco Lecture Notes 2005

29
**Baseband digital information**

30
**Bit-rate, Baud-rate and Bandwidth**

denotes the duration of the 1 bit Hence Bit rate = bits per second All the forms of the base band signalling shown transfer data at the same bit rate. denotes the duration of the shortest signalling element. Baud rate is defined as the reciprocal of the duration of the shortest signalling element. Baud Rate = baud In general Baud Rate ≠ Bit Rate For NRZ : Baud Rate = Bit Rate RZ : Baud Rate = 2 x Bit Rate Bi-Phase: Baud Rate = 2 x Bit Rate AMI: Baud Rate = Bit Rate

31
**Non Return to Zero (NRZ)**

The highest frequency occurs when the data is ……. i.e. This sequence produces a square wave with periodic time Fourier series for a square wave, If we pass this signal through a LPF then the maximum bandwidth would be 1/T Hz, i.e. to just allow the fundamental (1st harmonic) to pass.

32
**Non Return to Zero (NRZ) (Cont’d)**

The data sequence 1010…… could then be completely recovered Hence the minimum channel bandwidth

33
Return to Zero (RZ) Considering RZ signals, the max frequency occurs when continuous 1’s are transmitted. . This produces a square wave with periodic time If the sequence was continuous 0’s, the signal would be –V continuously, hence

34
**Bi-Phase Maximum frequency occurs when continuous**

1’s or 0’s transmitted. This is similar to RZ with Baud Rate = = 2 x Bit rate The minimum frequency occurs when the sequence is ……. e.g. In this case = Baud Rate = Bit rate

35
**Digital Modulation and Noise**

The performance of Digital Data Systems is dependent on the bit error rate, BER, i.e. probability of a bit being in error. Prob. of Error or BER, Digital Modulation There are four basic ways of sending digital data The BER (P) depends on several factors the modulation type, ASK FSK or PSK the demodulation method the noise in the system the signal to noise ratio

36
**Digital Modulation and Noise**

Amplitude Shift Keying ASK

37
**Digital Modulation and Noise**

Frequency Shift Keying FSK

38
**Digital Modulation and Noise**

Phase Shift Keying PSK

39
**System Block diagram for Analysis**

DEMODULATOR – DETECTOR – DECISION For ASK and PSK

40
**Demodulator-Detector-Decision**

FOR FSK

41
Demodulator

42
Demodulator Cont’d)

43
Detector-Decision is the voltage difference between a ‘1’ and ‘0’.

44
**Detector-Decision (Cont’d)**

ND is the noise at the Detector input. Probability of Error, Hence

45
**Probability density of binary signal**

46
**Probability density function of noise**

(*) Using the change of variable

47
This becomes (**) The incomplete integral cannot be evaluated analytically but can be recast as a complimentary error function, erfc(x), defined by Equations (*) and (**) become

48
**It is clear from the symmetry of this problem that Pe0 is identical to Pe1 and the**

probability of error Pe, irrespective of whether a ‘one’ or ‘zero’ was transmitted, can be rewritten in terms of v = v1 – v0 for unipolar signalling (0 and v) for polar signalling (symbol represented by voltage

49
**Detector-Decision (Cont’d)**

50
**Detector-Decision (Cont’d)**

51
**FM/ FSK Demodulation One form of FM/FSK demodulator is shown below**

In general VIN (t) will be Where is the input frequency (rad/sec)

52
**FM/ FSK Demodulation (Cont’d)**

i.e Thus there are two components Component (1) is at frequency 2 fIN Hz and component (2) is effectively a ‘DC’ voltage if is constant. The cut-off frequency for the LPF is designed so that component (1) is removed and component (2) is passed to the output.

53
**FM/ FSK Demodulation (Cont’d)**

The V/F characteristics and inputs are shown below Analogue FM Modulation Index

54
**FM/ FSK Demodulation (Cont’d)**

The spectrum of the analogue FM signal depends on and is given by

55
**Digital FSK Normalized frequency Deviation ratio**

The spectrum of FSK depends on h

56
Digital FSK (Cont’d)

57
**FM/ FSK Demodulation (Cont’d)**

Consider again the output from the demodulator The delay is set to where and is the nominal carrier frequency Hence

58
**FM/ FSK Demodulation (Cont’d)**

The curve shows the demodulator F/V characteristics which in this case is non linear.

59
**Practical realization of F/V process**

The comparator is LIMITER – which is a zero crossing detector to give a ‘digital’ input to the first gate. This is form of ‘delay and multiply’ circuit where the delay is set by C and R with = CR

60
**Practical realization of F/V process (Cont’d)**

61
**Practical realization of F/V process (Cont’d)**

Consider now ≠

62
**Practical realization of F/V process (Cont’d)**

Plotting Vout versus (Assuming A=1)

Similar presentations

Presentation is loading. Please wait....

OK

Fundamentals of Frequency Modulation

Fundamentals of Frequency Modulation

© 2017 SlidePlayer.com Inc.

All rights reserved.

Ads by Google

Ppt on plasma arc machining Ppt on product marketing mix Ppt on event driven programming in visual basic Ppt on values attitudes and job satisfaction Ppt on panel discussion guidelines Ppt on anti rigging voting system Ppt on solar based traffic light control system Disaster management ppt on tsunamis Ppt on mauryan period Ppt on needle stick injury treatment