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Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs.

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Presentation on theme: "Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs."— Presentation transcript:

1 Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs

2 Archiving Color Image to Single Strip to Single Strip 35mm Black & White Film GOAL: Stable image storage that is recoverable and reliable. Stable image storage that is recoverable and reliable.

3 Current Archival Preservation Method YCM Separations Current Archival Preservation Method YCM Separations (3) Separate Primary Colors – (3) Separate Primary Colors – Yellow, Cyan, Magenta Yellow, Cyan, Magenta Recorded to: (3) Separate Black & White Film Reels

4 Visionary Archival Process (3) Separate Primary Colors Recorded to: (1) Black & White Film Reel

5 Two Methods Visionary Archive RGB+: HD2K HD or 2K Full RGB to 3 Quadrants Audio and/or Metada in the fourth RGB Intra-Mosaic: 4K Full RGB Intra-mosaic to 4 Quadrants Each method provides optimum film master from provided source. Each method provides optimum film master from provided source.

6 Visionary Archive – RGB+

7 Pixel Accurate Alignment Patterns

8 Consistent Color Representation Calibration and alignment patterns to ensure consistent luminance, blacks, midtones, and whites.

9 Alignment Pattern Detail

10 Visionary Archive Image RGB Intra-Mosaic Original film frame Visionary Process Frame

11 Source Image

12 Close-up of RGB Intra-mosaic on Visionary Image

13 Full Resolution Red, Green, Blue Intra-Mosaic Encoded

14 The Visionary Encoding Process

15 Source Image to Visionary Conversion Source Image Visionary Image

16 Creative Intent Preserved Alignment patterns allow reconstruction pixel to pixel Alignment patterns allow reconstruction pixel to pixel Color creative intent preserved with this alignment pattern– not simply imagesColor creative intent preserved with this alignment pattern– not simply images

17 Tests Recorders: ARRILASER 2, Aaton K, Celco, etc. Film Stock: Kodak 2234, 2238, 5269, Fuji RDS 4791

18 Rosetta Stone Description of film picture Definition of RGB Intra-mosaic pattern Defined color map Alignment and image level Source Dimensions and frame rate

19 Data Migration/Archival Data and Video tape become obsoleteData and Video tape become obsolete Film expected to last 300 yearsFilm expected to last 300 years

20 Visionary Archive Workflow Visionary Archive Workflow

21 Visionary Archival Process 2/3 less film grain than traditional YCM recombine2/3 less film grain than traditional YCM recombine Re-registration not requiredRe-registration not required Warped film no longer an issueWarped film no longer an issue Alignment patterns ensure solid stabilizationAlignment patterns ensure solid stabilization Creative intent preserved on filmCreative intent preserved on film Stable image storage that is recoverable and reliableStable image storage that is recoverable and reliable Free source code provided for open standard unarchivingFree source code provided for open standard unarchiving

22 Visionary Audio Digital Values can range from Digital Values can range from 16-24 bit and 48-96kHz 16-24 bit and 48-96kHz Digital information encoded in Digital information encoded in analog wrapper analog wrapper Protected digital values impervious Protected digital values impervious to film scratches, warping, to film scratches, warping, creases, and dust creases, and dust Each value is sampled two times Each value is sampled two times to protect sound integrity to protect sound integrity Recorded series of values

23 Whats Next? 3D Stereoscopic Archive Element3D Stereoscopic Archive Element Developing Metadata IntegrationDeveloping Metadata Integration

24 ARCHIVE ARCHIVE Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs


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