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J. Arzt, Silver Screen Film Terms Silver Screen Comes to the Local Scene.

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Presentation on theme: "J. Arzt, Silver Screen Film Terms Silver Screen Comes to the Local Scene."— Presentation transcript:

1 J. Arzt, Silver Screen Film Terms Silver Screen Comes to the Local Scene

2 J. Arzt, Silver Screen Terms Related to Filming Shot composition Editing Special Effects

3 J. Arzt, Silver Screen Settings Set: a constructed place used for filming Location: a real place that is not built expressly for filmmakers Phillips, pp. 9 and 11

4 J. Arzt, Silver Screen Sets in Mystic Pizza A set was built to look like the inside of Mystic Pizza Shots inside of Daisys and Kats house Dinner dining room scene at Charlies house Shots inside of JoJos house

5 J. Arzt, Silver Screen Location Settings in Mystic Pizza Shots outside of the pizzeria Shot of Mystic Drawbridge Shot of church Shot at lobster yard Shots at the docks

6 J. Arzt, Silver Screen Sets in GWH Therapists offices Skylars dorm room Dining room of Chuckies house

7 J. Arzt, Silver Screen Location Sets in GWH L Street Tavern Shots of Southie (South Boston) Shots of exterior of MIT, Harvard, and Bunker Hill CC Shots at the coffee café in Harvard Square

8 J. Arzt, Silver Screen Establishing Shot When a film begins or when it shifts to a new setting, filmmakers often use an extreme long shot to present an establishing shot, a view of the surroundings. Once viewers are oriented, the camera normally moves in closer to the subject. p. 76 Phillips

9 J. Arzt, Silver Screen Establishing Shots in Mystic Pizza Opening shot of church looking up West Main Street Long shots that open the dock scenes Opening shot of Kat at the lobster dock

10 J. Arzt, Silver Screen Establishing Shots in GWH Shot of MIT Shots of Southie streets Shot of Bunker Hill Community College Shot of red brick buildings at Harvardy Shots of river between Boston and Cambridge

11 J. Arzt, Silver Screen Extreme Long Shot Image in which the subject appears to be far from the camera. If a person is a subject, the entire body will be visible (if not obstructed by some intervening object) but very small in the frame, and much of the surroundings will be visible. The camera is often used to show the layout and expanse of a setting. Usually used only outdoors, often to establish the setting of the following action. Phillips, pp. 77 and 545

12 J. Arzt, Silver Screen Extreme Long Shots in Mystic Pizza 1 2 3

13 J. Arzt, Silver Screen Extreme Long Shots in GWH 1 2 3

14 J. Arzt, Silver Screen Long Shot Usually the subject is seen in its entirety, and much of its surroundings is visible. This camera distance has many possible usesfor example, to stress how small a human subject is in relationship to its environment. Phillips, p. 77

15 J. Arzt, Silver Screen Long Shots in Mystic Pizza 1 2 3

16 J. Arzt, Silver Screen Long Shots in GWH 1 2 3

17 J. Arzt, Silver Screen Medium Shot This camera distance … Shot in which … Phillips, pp. 77 and 550

18 J. Arzt, Silver Screen Medium Shots in Mystic Pizza 1 2 3

19 J. Arzt, Silver Screen Medium Shots in GWH 1 2 3

20 J. Arzt, Silver Screen Medium Close-up Phillips, pp. 78 and 550

21 J. Arzt, Silver Screen Medium Close-ups in Mystic Pizza 1 2 3

22 J. Arzt, Silver Screen Medium Close-ups in GWH 1 2 3

23 J. Arzt, Silver Screen Close-up Phillips, pp. 78 and and 541

24 J. Arzt, Silver Screen Close-ups in Mystic Pizza 1 2 3

25 J. Arzt, Silver Screen Close-ups in GWH 1 2 3

26 J. Arzt, Silver Screen Extreme Close-up Phillips, pp.

27 J. Arzt, Silver Screen Extreme Close-ups in Mystic Pizza 1 2

28 J. Arzt, Silver Screen Extreme Close-ups in GWH 1 2

29 J. Arzt, Silver Screen Two Shot Phillips, p. 7

30 J. Arzt, Silver Screen Two Shots in Mystic Pizza

31 J. Arzt, Silver Screen Two Shots in GWH

32 J. Arzt, Silver Screen Shot/Reverse Shots An editing pattern that cuts between individuals according to the logic of the conversation p. 176 in Corrigan, A Short Guide to Writing about Film

33 J. Arzt, Silver Screen SRS in Mystic Pizza

34 J. Arzt, Silver Screen SRS in GWH

35 J. Arzt, Silver Screen Dollying Phillips, p. 81

36 J. Arzt, Silver Screen Dollying in Mystic Pizza 1 2

37 J. Arzt, Silver Screen Dollying in GWH

38 J. Arzt, Silver Screen Zoom

39 J. Arzt, Silver Screen Zooming in Mystic Pizza 1 2

40 J. Arzt, Silver Screen Zooming GWH 1 2

41 J. Arzt, Silver Screen Track Phillips, pp. 82 and 558

42 J. Arzt, Silver Screen Tracking in Mystic Pizza 1 2

43 J. Arzt, Silver Screen Tracking in GWH 1 2

44 J. Arzt, Silver Screen High Angle Phillips, p. 83

45 J. Arzt, Silver Screen High Angle Shots in Mystic Pizza 1 2 3

46 J. Arzt, Silver Screen High Angle Shots in GWH 1 2 3

47 J. Arzt, Silver Screen Low Angle Phillips, p. 84

48 J. Arzt, Silver Screen Low Angle Shots in Mystic Pizza 1 2 3

49 J. Arzt, Silver Screen Low Angle Shots in GWH 1 2 3

50 J. Arzt, Silver Screen Dutch Angle Phillips, p. 83

51 J. Arzt, Silver Screen Dutch Angle Shot in GWH

52 J. Arzt, Silver Screen Birds Eye View Phillips, p. 83

53 J. Arzt, Silver Screen Birds-eye View in GWH 1 2

54 J. Arzt, Silver Screen Eye-Level Shots Phillips, p. 84

55 J. Arzt, Silver Screen Eye-level shots in Mystic Pizza

56 J. Arzt, Silver Screen Eye-level shots in GWH

57 J. Arzt, Silver Screen Panning Phillips, pp. 86 and 552

58 J. Arzt, Silver Screen Panning in Mystic Pizza

59 J. Arzt, Silver Screen Panning in GWH

60 J. Arzt, Silver Screen Swish Pan Phillips, p. 87

61 J. Arzt, Silver Screen Swish Pan in GWH

62 J. Arzt, Silver Screen Montage Phillips, pp. 128-133, p. 139 Glossary

63 J. Arzt, Silver Screen Montage in Mystic Pizza 1 2

64 J. Arzt, Silver Screen Montage in GWH 1 2

65 J. Arzt, Silver Screen Parallel Editing/Crossutting Phillips, pp. 139, 542, 552

66 J. Arzt, Silver Screen Parallel Editing in Mystic Pizza

67 J. Arzt, Silver Screen Parallel Editing in GWH

68 J. Arzt, Silver Screen Point of View (Subjective Camera)

69 J. Arzt, Silver Screen POV in Mystic Pizza 1 2 3

70 J. Arzt, Silver Screen POV in GWH 1 2 3

71 J. Arzt, Silver Screen Dissolve or Lap Dissolve

72 J. Arzt, Silver Screen Lap Dissolve in GWH

73 J. Arzt, Silver Screen Match Cut

74 J. Arzt, Silver Screen Example of Match Cut in GWH

75 J. Arzt, Silver Screen Slow Motion

76 J. Arzt, Silver Screen Slow Motion in GWH

77 J. Arzt, Silver Screen Superimposition

78 J. Arzt, Silver Screen Superimposition in GWH


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