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FRCR: Physics Lectures Diagnostic Radiology Lecture 4 Film-screen radiography Dr Tim Wood Clinical Scientist.

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Presentation on theme: "FRCR: Physics Lectures Diagnostic Radiology Lecture 4 Film-screen radiography Dr Tim Wood Clinical Scientist."— Presentation transcript:

1 FRCR: Physics Lectures Diagnostic Radiology Lecture 4 Film-screen radiography Dr Tim Wood Clinical Scientist

2 Overview Film-screen radiography Processing Intensifying screens and the film cassette The characteristic curve and sensitivity Image quality

3 The story so far… We know how X-rays are made in the X-ray tube and how they interact with the patient We know how we control the quality and intensity of the X-ray beam, and hence patient dose, with kVp, mAs, filtration and distance We discussed the main descriptors of image quality –Contrast –Spatial Resolution –Noise Discussed ways to improve contrast by minimising scatter and using contrast agents Remember, there is always a balance between patient dose and image quality – fit for the clinical task!

4 Film-Screen Imaging Traditionally, all X-ray image capture has been through X-ray film Film base Emulsion Adhesive layer Protective layer

5 Film Polyester film base gives mechanical strength to the film – does not react to X rays Emulsion consists of silver halide grains (AgBr) –The image is formed by the reaction of AgBr grains to X-ray photons –The sensitivity of the film depends on number of grains –Must be evenly distribution –Typically each crystal is about 1 μm in size larger grains = more sensitive (contrast), smaller grain = better resolution Adhesive layer ensures emulsion stays firmly attached to base Protective layer prevents mechanical damage

6 Film Film is actually much more sensitive to visible light and UV than it is to X-rays –Hence, use a fluorescent screen to convert X-ray photons to light photons –Enables lower patient dose! A latent image is formed upon exposure, which cannot be seen unless the film undergoes chemical processing –Mobile silver ions are attracted to electrons liberated by light photons, forming a speck of silver metal on the surface

7 Processing The invisible latent image is made visible by processing There are three stages to this process; –Development –Fixing –Washing

8 Processing First stage is development: –Film is immersed in an alkaline solution of a reducing agent (electron donor) –Reduces positive silver ions to metallic grain of silver (black specks) –Unexposed crystals are unaffected by the developer – bromide ions repel the electron donor molecules –However, given sufficient time, the developer will penetrate the unexposed crystals –The amount of background fog is dependent upon the time, strength and temperature of the developer

9 Processing Second stage is fixing: –If the film is exposed to light after the first stage, the whole film becomes black –To fix the film, unaffected grains are dissolved by an acid solution, leaving the X-ray image in the form of black silver specks Final stage is washing: –The film is washed in water and dried with hot air –Inadequate washing would result in a brown/yellow film over time (from excess acid) and smell

10 Processing Automatic processors use a roller system to transfer the film through the different solutions Regular Quality Assurance of the processor is vital for producing good quality radiographs Image is then viewed by transmission of light from a light box with uniform brightness –Dark = lots of X-rays –Light = relatively few X-rays e.g. through bone

11 Production of a Radiograph ProcessTimeWhat Happens 1. ManufactureCrystals of a suitable size are made and suspended in gelatine 2. Exposure0.01 – 10 secLatent image created 3. Wetting10 secWet film so that subsequent development is uniform 4. Development3 – 10 minConvert latent image to silver 5. (Acid) wash1 minStop development and remove excess developer 6. Fixing and hardening10 – 30 secDissolve out remaining AgBr and harden gelatine 7. Washing30 secRemove products of developer and fixer 8. Dry30 secRemove water

12 Logarithms A logarithm is an exponent – the exponent to which the base must be raised to produce a given number –10 4 = 10x10x10x10 = 10,000 –= log = 4 –i.e., 4 is the logarithm of with base 10 Seen in many applications –Richter earthquake scale –Sound level measurements (decibels = dB) –Optical Densities blackness on film (OD) Written as log 10 x or if no base specified in physics texts as log x it is interpreted as the same

13 Properties of logs log 10 1 = 0 log = 1 log 10 xy = log 10 x + log 10 y log 10 x/y = log 10 x - log 10 y

14 Optical Density Optical Density: the amount of blackening in the film Defined as the log of the ratio of the intensities of the incident and transmitted light –log is used as the eyes response is logarithmic

15 Optical Density Optical density can be measured with a densitometer From the definition, if 1% of light is transmitted, D = 2.0 If 10% is transmitted, D = 1.0 The density of an area of interest on a properly exposure film should be about 1.0 –Lung field may be ~2.0 Areas with D>3.0 too dark to see any detail on a standard light box

16 Contrast Contrast is the difference in optical densities Contrast = OD 1 – OD 2 whiteHigh contrast - e.g. black and white Low contrast – e.g. grey and grey!

17 Intensifying screens Film is relatively insensitive to X-rays directly –Only about 2% of the X-rays would interact with the emulsion –Requires unacceptably high doses to give a diagnostic image An intensifying screen is a phosphor sheet the same size as the film, which converts the X-rays to a pattern of light photons The intensity of the light is proportional to the intensity of X-rays The pattern of light is then captured by the film –One exception is intraoral dental radiography, where screens are not practical

18 Intensifying screens Modern intensifying screens use rare earth materials, which emit light that is matched to the sensitivity of the film being used –Spectral match between the emission of the screen and the absorption in the film e.g. blue or green –K-edges clinically relevant (39-61 keV) Rare earth screens used as they very efficient at converted absorbed X-ray energy into light –Results in a faster (more sensitive) system The sensitive emulsion of the film must be in close contact with the screen

19 Intensifying screens General radiography film usually double coated with emulsion on each side of the base The front screen absorbs ~1/3 of X-rays and ~1/2 light travels forward and is absorbed by front layer of emulsion Rear screen absorbs ~1/2 of X-rays transmitted through the front and exposes the rear emulsion ~2/3 of total X-ray fluence absorbed in screens Mammography only uses a single screen to maximise spatial resolution (more on this later) Screen materials chosen to have no phosphorescence (delayed fluorescence) to avoid ghost images

20 The film-cassette Flat, light tight box with pressure pads to ensure film in good contact with the screen(s) mounted on the front (and back) The tube side of the cassette is low atomic number material (Z~6) to minimise attenuation Rear of cassette often lead backed to minimise back scatter (not in mammo)

21 The characteristic curve Plotting OD against log exposure gives the Characteristic Curve of the X-ray film Different types of film – subtle differences but all basically the same Log exposure Optical density Fog Linear region, gradient = gamma Saturation Solarisation

22 The characteristic curve Depends on type of film, processing and storage Fog: Background blackening due to manufacture and storage (undesirable) –Generally in the range Linear portion: useful part of the curve in which optical density (blackening) is proportional to the log of X-ray exposure The gradient of the linear portion determines contrast in an image and patient exposures must lie within this region –Need to match this to the clinical task! Hence, film suffers from a limited and fixed dynamic range

23 The characteristic curve Gradient of linear region = Gamma, = OD 2 – OD 1 log E 2 -log E 1 Gamma depends on –Emulsion –Size and distribution of grains –Film developing Gamma ~ Contrast Latitude = useful range of exposures Linear region Latitude Log exposure Optical density

24 The characteristic curve Gamma and latitude are inversely related –High gamma = low latitude –Wide latitude (low gamma) for chests –High gamma (low latitude) for mammography At doses above the shoulder region, the curve flattens off at D~3.5 –Saturation, whereby all silver bromide crystals have been converted to silver At extremely high exposures density will begin to fall again due to solarization –Not relevant to radiography

25 Film Speed Definition: 1 / Exposure B+F+1 Reciprocal of Exposure to cause an OD of 1 above base plus fog Speed of film = sensitivity = amount of radiation required to produce a radiograph of standard density Speed shifts H-D curve left and right Fast film requires less radiation (lower patient dose) Speed is generally used as a relative term defined at a certain OD; one film may be faster than another at a certain point on the curve

26 Factors affecting speed Size of grains – larger means faster –This is the main factor and conflicts with the need for small crystals to give good image sharpness. –Fast films are grainier but reduce patient dose Thickness of emulsion –Double layers of emulsion give faster films Radiosensitisers added (X-ray energy)

27 Effect of developing conditions Increasing developer temperature, concentration or time increases speed at the expense of fog Developer conditions should be optimised for maximum gamma, and minimum fog Automatic processor has temperature controls and time maintained by roller speed Concentration is controlled by automatic replenishment of the chemicals

28 Film-screen sensitivity Intensification factor –Each X-ray photon generates ~1000 light photons –Just under half of these will reach the film –~100 light photons to create a latent image –Hence, more efficient process –Intensification factor is the ratio of air KERMA to produce D = 1 for film alone, to that with a screen –Intensification factor typically Speed class –Most common descriptor of sensitivity –Speed = 1000/K, where K is air KERMA (in μGy) to achieve D = 1 –Typically 400 speed (K = 2.5 μGy)

29 Image quality Contrast –Contrast in film-screen radiography is due to both subject contrast, scatter and gamma –Remember, high gamma = high contrast = low latitude (and vice-versa) –Contrast is fixed for any given film and processing conditions –Image detail may be lost if contrast is too high as it may be lost in the saturated or fog regions –Hence, vital to match gamma to the clinical task –Ambient light conditions and viewing box uniformity may also impact on the subjective contrast presented to the Radiologist Use a darkened room, mask off unused areas of lightbox, etc

30 Image quality Screen-unsharpness –The film-screen system has inherent unsharpness additional to geometric, motion and absorption –Only partly due to finite size of the emulsion crystals –Most significant effect is due to spread of light from the point of X-ray absorption in the phosphor, to detection by the film –Depends on the point in the phosphor where the interaction occurs –Thicker phosphor layers more sensitive (absorb more X-rays), but result in more blurring – allow lower patient doses

31 Screen-unsharpness Film Phosphor Object

32 Screen unsharpness Speed class should be chosen carefully to match the application –e.g. 400-speed (thick phosphor) for thick sections of the body (abdo/pelvis), –e.g speed (thin phosphor) for extremeties (require detail) Also may have reflective layer on top of phosphor to increase sensitivity (reflect light photons back to the film) at the expense of resolution Colour dyes to absorb light photons at wider angles (longer path lengths) – at the expense of sensitivity

33 Screen unsharpness Crossover – light photons from the front screen may be absorbed by the rear emulsion (and vice-versa) –Crossover is a significant contributor to overall unsharpness –Reason for only using one screen in mammography where resolution is critical Minimise screen-unsharpness by ensuring good contact between the screen and film –Poor contact may result from damage to the film cassette

34 Film-screen in clinical practice Kilovoltage: Increased kV gives… –Increased penetration = lower patient dose –Increased exposure latitude = larger range of tissues displayed, BUT lower radiographic contrast –Reduction in mAs = shorter exposures = less motion blur mAs –Correct mAs must be chosen to ensure the correct level of blackening on the film – avoid under or overexposing the film Too much = saturation, too little = thin image –Produce standard protocols that can be adapted for patient size

35 Exposure Control For an acceptable image, require a dose at the image receptor of about 3 μGy for film-screen radiography This is the exit dose from the patient after attenuation Entrance surface dose (ESD) is much higher than this; –~10 times greater than exit dose for PA chest –~100 times greater for skull –~1000 times greater for AP pelvis –~5000 times greater for lateral lumbar spine

36 Automatic Exposure Control (AEC) Limited latitude of film makes it difficult to choose correct mAs – skill and experience of radiographer Alternative is to use an AEC to terminate the exposure when enough dose has been delivered to the film AEC is a thin radiation detector (ionisation chamber) behind the grid, but in front of the film (though in mammo it is behind to avoid imaging the chamber on the film) Usually three chambers that can be operated together or individually

37 Automatic Exposure Control (AEC) When a predetermined level of radiation is detected, the exposure terminates Choice of chambers determined by clinical task –e.g. left and right for lungs in PA chest, but central if looking at spine Also has a density control that can increase or decrease exposure where necessary AEC limited to exposures in the Bucky system

38 Modern Day Film is dying out Across most (but not all) of the country film is no longer used for General X-ray imaging Only mammography (breast imaging), where very high resolution specialist film is used –This Trust no longer uses film for mammography, and is on the verge of being fully digital…

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