1. Test #5

2. Fred Wilson "Drip Drop Plop,” 2001 Glass, approximately 8 X 5 feet Courtesy Metro Pictures, New York

3. Fred Wilson "Arise!,” 2004, Spit bite aquatint with direct gravure, 30 1/2 X 34 inches Printed by Case Hudson, assisted by Rachel Stevenson, Crown Point Press, San Francisco Edition 25 Courtesy The Pace Gallery, New York "Where I dropped the spots there are these ‘thought bubbles’ - like in cartoons- and they talk to each other. Various conversations emerge from the relationship between them. I pulled the text from black characters in novels or plays, or film screenplays.” Fred Wilson

4. Fred Wilson. Mining the Museum, Maryland Historical Society. 1992. Fred Wilson’s 1992 work Mining the Museum (see Figures 3&4) was the result of an invitation from the Maryland Historical Society to “intervene” (Buchloh 1990, p. 136) in their collection. Over 55 000 viewers attended Wilson’s exhibition, in which he’d rearranged and re- contextualised materials found in the Historical Society “to reveal formerly concealed histories of slavery and racism” (Doss 2002, p. 245). Wilson’s background in museums, as well as his Native American and African heritage, was a significant motivation in his powerful manipulation of this museum space to expose metanarratives and the unchallenged authority of the museum.

5. Fred Wilson. Speaking in Tongues: Look at the Language of Display, 1999, ceramic sculptures, dimensions variable.

6. Fred Wilson. Viewing the Invisible, 1998, museum collections and cleaning man's cart, dimensions variable.

7. Kerry James Marshall “The Manifold Pleasures, and such…,” gold-mirrored Plexiglass tables adorned with gift boxes, greeting cards, and plastic bags from Party City stuffed with shiny bows and ribbons. Ashé Cultural Arts Center, New Orleans, LA

8. Yinka Shonibare, MBE. HOW TO BLOW-UP TWO HEADS AT ONCE Two mannequins, two guns, Dutch wax printed cotton textile, shoes, leather riding boots, plinth 93 1/2 X 63 X 48 inches ©2006,

9. Yinka Shonibare, MBE. THE BIG THREE Mannequin, Dutch wax printed cotton textile, leather and wood, 177 X 112 X 114 cm (69 X 44 X 45in) ©2009,

10. "Trace," Ai carpeted the floor of Alcatraz's massive New Industries Building with portraits of political prisoners assembled from LEGOs. Ai Weiwei. Trace. Lego, 2015

11. Ai Weiwei. With Wind The dragon represents not imperial authority, but personal freedom: “everybody has this power.” The individual kites that make up the dragon’s body carry quotations from activists who have been imprisoned or exiled, including Nelson Mandela, Edward Snowden, and Ai himself.

13. http://www.missrockaway.org Swoon expedition Minneapolis to New Orleans

14. Swimming Cities of Serenissima sails through the Grand Canal of Venice at dawn. Floating barges made in Slovenia and floated to Venice. Made of found materials.

15. The Swimming Cities of Serenissima Hudson flotilla “SWOON’s boats are inspired by dense urban cityscapes and thickly intertwined mangrove swamps from her Florida youth. The Swimming Cities of Serenissima are built from salvaged materials, including modified Mercedes car motors with long-tail propellers. The boats’ crew is made up of 30 collaborating artists from the United States.

16. SutterBeresCuller The Island, Lake Washington, King County, 2005 A floating human made island in the middle of Lake Washington. A 24 hour installation/performance.

17. MICHAEL STANIAK CB/MG_025, 2013 casting compound, acrylic on board, in artist's steel frame 24 x 17 in. (61 x 43.2 cm) Signed and dated "Michael Staniak 2013" on the reverse. Estimate $8,000 - 12,000 SOLD FOR $18,750

18. Margaret Kilgallen Box car Drawing Production still from the "Art in the Twenty-First Century" Season 1 episode, "Place," 2001 Segment: Barry McGee and Margaret Kilgallen © Art21, Inc. 2001

19. Margaret Kilgallen Work on paper from installation at UCLA/Armand Hammer Museum, Los Angeles, 2000 Photo by Robert Wedemeyer Courtesy Deitch Projects, New York

20. Margaret Kilgallen Installation view at UCLA / Armand Hammer Museum, Los Angeles, 2000 Photo by Robert Wedemeyer Courtesy Deitch Projects, New York “Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic.”

21. Jeff Koons: Hyper-POP Koons is a maker of extremely Pop images made into the real physical world. Here is an example of a Balloon Dog (made out of stainless steel and highly polished) when it was installed on the top of the Metropolitan Museum in New York.

22. Ann Hamilton Event of a Thread, Armory on Park information

23. Kara Walker A Subtlety or the Marvelous Sugar Baby

24. Tara Donovan Untitled, 2003 Styrofoam Cups, Hot Glue 6'(H) x 20'(W) x 19' 2"(D) Ace Gallery New York