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PNU Machine Vision Lecture 2a: Cameras Source: S. Lazebnik.

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Presentation on theme: "PNU Machine Vision Lecture 2a: Cameras Source: S. Lazebnik."— Presentation transcript:

1 PNU Machine Vision Lecture 2a: Cameras Source: S. Lazebnik

2 Image formation Let’s design a camera
- Idea 1: put a piece of film in front of an object Do we get a reasonable image? from Noah Snavely

3 Pinhole camera Add a barrier to block off most of the rays
This reduces blurring The opening known as the aperture How does this transform the image? It gets inverted

4 Camera Obscura Basic principle known to Mozi ( BC), Aristotle ( BC) Drawing aid for artists: described by Leonardo da Vinci ( ) Gemma Frisius, 1558 Source: A. Efros

5 Camera Obscura 암실, 주름상자

6 Home-made pinhole camera
Why so blurry? Slide by A. Efros

7 Shrinking the aperture
Why not make the aperture as small as possible? Less light gets through Diffraction effects...

8 Shrinking the aperture

9 Adding a lens For different distance “circle of confusion” Not focus in a point There is a specific distance at which objects are “in focus” other points project to a “circle of confusion” in the image Changing the shape of the lens changes this distance

10 Lenses F focal point focal point at a distance f beyond the plane of the lens (the focal length) f is a function of the shape and index of refraction of the lens Aperture restricts the range of rays aperture may be on either side of the lens Lenses are typically spherical (easier to produce)

11 Depth of Field Slide from Wikipedia

12 Depth of Field Small aperture & diffraction Large aperture
IC is 2.5 mm higher than the circuit board it is mounted on Large aperture Slide from Wikipedia

13 Depth of Field f / 5.6 f / 32 A smaller aperture increases the range in which the object is approximately in focus Flower images from Wikipedia

14 Depth of Field focus on a’

15 Depth of Field

16 Perspective effects

17 Perspective effects Far away objects appear smaller Forsyth and Ponce

18 Perspective effects

19 Perspective effects Converge in image on horizon line Image plane
(virtual) pinhole Scene

20 The eye The human eye is a camera
Iris: 홍체, 환 Pupil: 동공 Cornea: 각막 Retina: 망막 Cone: 추상체 Rod: 간상체 Note that the retina is curved The human eye is a camera Iris - colored annulus with radial muscles Pupil - the hole (aperture) whose size is controlled by the iris What’s the “film”? photoreceptor cells (rods and cones) in the retina

21 Eyes in nature: eyespots to pinhole camera
안 점 20mm under water planarian 앵무 조개 nautilus

22 Eyes in nature 체액 Evolution of eye 유리질의

23 Before Film was invented
Lens Based Camera Obscura, 1568 Srinivasa Narasimhan’s slide

24 Film camera Still Life, Louis Jaques Mande Daguerre, 1837
Srinivasa Narasimhan’s slide

25 Silicon Image Detector
Shree Nayar’s slide

26 Digital camera A digital camera replaces film with a sensor array
Each cell in the array is a Charge Coupled Device light-sensitive diode that converts photons to electrons other variants exist: CMOS is becoming more popular 광 양자, 빛 입자

27 Color = So far, we’ve talked about grayscale images What about color?
Most digital images are comprised of three color channels – red, green, and, blue – which combine to create most of the colors we can see Why are there three? =

28 Color perception Three types of cones
L response curve 특정 파장이 우리 눈의 3가지 센서에 주는 자극은 강도가 다르다. 서로 다른 3가지 센서 강도가 다른 color을 만들어 낸다. Three types of cones but regions overlap Short (S) corresponds to blue Medium (M) corresponds to green Long (L) corresponds to red Different sensitivities: we are more sensitive to green than red varies from person to person (and with age) Colorblindness—deficiency in at least one type of cone Cone: 추상체(원추세포) Rod: 간상체

29 Field sequential YungYu Chuang’s slide red-채널 요소만 나옴
(흑백 glass plane에 새김) r필름 (r만 통과) 입력 scene YungYu Chuang’s slide

30 Field sequential 연속해서 얻은 primary color를 fusion하면 YungYu Chuang’s slide

31 Field sequential Picture가 형성됨 YungYu Chuang’s slide

32 Prokudin-Gorskii (early 1900’s)
Lantern projector 3개의 primary color를 담은 흑백 plate를 필터를 통해 합성시켜주는 장치 YungYu Chuang’s slide

33 Prokudin-Gorskii (early 1910’s)
(러시아 전역의 풍경 수천 장을 남겼음) Color camera가 없던 시절 r, g, b의 filter 3개만 이용하여 negative image plate를 얻었음. 후에(최근) Dicromatography라는 color 렌더링 기술을 이용하여 오래 전 사진을 생생하게 얻음. YungYu Chuang’s slide

34 Color sensing in camera: Prism
Requires three chips and precise alignment More expensive CCD(B) CCD(G) CCD(R)

35 Color filter array Bayer grid
Estimate missing components from neighboring values (demosaicing) Why more green? Human Luminance Sensitivity Function 표시 cell의 감지 안된 Cell은 주위 cell값으로 보간 사람은 green밴드에 가장 민감 Source: Steve Seitz

36 Bayer’s pattern YungYu Chuang’s slide

37 Foveon X3 sensor Light penetrates to different depths for different wavelengths Multilayer CMOS sensor gets 3 different spectral sensitivities YungYu Chuang’s slide

38 Color filter array red green blue output YungYu Chuang’s slide

39 X3 technology red green blue output YungYu Chuang’s slide

40 Foveon X3 sensor Bayer CFA X3 sensor YungYu Chuang’s slide

41 Historical context Pinhole model: Mozi ( BC), Aristotle ( BC) Principles of optics (including lenses): Alhacen ( ) Camera obscura: Leonardo da Vinci ( ), Johann Zahn ( ) First photo: Joseph Nicephore Niepce (1822) Daguerréotypes (1839) Photographic film (Eastman, 1889) Cinema (Lumière Brothers, 1895) Color Photography (Lumière Brothers, 1908) Television (Baird, Farnsworth, Zworykin, 1920s) First consumer camera with CCD: Sony Mavica (1981) First fully digital camera: Kodak DCS100 (1990) Alhacen’s notes Niepce, “La Table Servie,” 1822 CCD chip


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