1. Henri Cartier-Bresson

2. Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered to be the father of modern photojournalism. He was an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers who followed.French photographerphotojournalism35 mmcandid photographystreet photography

3. '"For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. It is by economy of means that one arrives at simplicity of expression." '"For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. It is by economy of means that one arrives at simplicity of expression."

5. "To take a photograph is to align the head, the eye and the heart. It's a way of life." "To take a photograph is to align the head, the eye and the heart. It's a way of life."

6. Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography.August 221908August 32004French photographerphotojournalism35 mmAugust 221908August 32004French photographerphotojournalism35 mm He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers that followed. He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers that followed.street photographystreet photography

7. Cartier- Bresson was influenced by this photo by Munckasi and the way he captured ‘a moment.’ Cartier- Bresson was influenced by this photo by Munckasi and the way he captured ‘a moment.’ Munckasi, 1932

12. The Decisive Moment Photography is not like painting," Cartier- Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever." Photography is not like painting," Cartier- Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever."Washington PostWashington Post

13. Description Recognizable images Recognizable images Introduction -make a general statement about the work trying to gain the reader’s interest. Include the title of the work underlined, the photographer, date and medium.

14. Line Line Shapes/form Shapes/form Value Value Texture Texture Space Space Rhythm/movement Rhythm/movement Emphasis Emphasis Balance Balance Variety Variety harmony harmony

15. Meaning, mood or message??? Meaning, mood or message??? Explain why! Explain why!

16. Judgement Formalism: how successful is the composition? Why? Formalism: how successful is the composition? Why?

17. Emotionalism How strong is the meaning, mood, message? Why? How strong is the meaning, mood, message? Why?

18. conclusion Closing statement may refer to the strengths of a work or the photographer’s work in a broader sense. Closing statement may refer to the strengths of a work or the photographer’s work in a broader sense.